Zadie Xa is a London
based Canadian artist whose work explores identity, desire and personal
fantasy. After completing an MA in Painting from the Royal College of Art 2014,
Zadie now shows her work in renowned galleries such as Studio Voltaire. I
caught up with her at her latest exhibition to talk about her work and love for
fashion.
Why did you decide to be an artist?
I became interested in making art at around 7 years old and kept up with it throughout my teenage years. I had always toyed with the idea of becoming an artist when I was very young but it wasn´t until I was 19 and started my BFA that I really set my mind on pursuing a career in fine art. There was never a definitive reason that motivated me to become an artist, rather it was my excitement about making objects and investigating ideas through visual cues that made me think, okay, I can do this.
Why did you decide to be an artist?
I became interested in making art at around 7 years old and kept up with it throughout my teenage years. I had always toyed with the idea of becoming an artist when I was very young but it wasn´t until I was 19 and started my BFA that I really set my mind on pursuing a career in fine art. There was never a definitive reason that motivated me to become an artist, rather it was my excitement about making objects and investigating ideas through visual cues that made me think, okay, I can do this.
What influences
your work and how much of what you love personally do you translate into your
artwork?
Like most artists, I am influenced by
a whole range of things. Conceptually I am very interested in
identity construction, personal narrative and the immigrant experience.
Visually, I look towards fashion for colour, shape
and surface but more importantly I am fascinated with how clothing
and style deeply influences the way people
choose to socially position themselves. North American
hip-hop culture is very important to me both personally and as
an artist.Originally hip-hop was as a tool of social resistance, to
speak out on racial and class inequality. I am invested in many of the
fundamental principals embedded within its culture. I am also
interested in hip-hop style and how its sensibility has been coopted by
the European industry and integrated into the mainstream. Its
influence is visible throughout my practice, seen as visual
codes, over arching themes and within the titles of my
works.
How would you
describe your personal style?
When I was 11 years old I was obsessed with
Kris Kross, Aaliyah, Queen Latifah, Nia Long and TLC,
this manifested itself into a lot of baggy jeans, basketball jerseys, baseball
jackets and bandanas. As I got a bit older I definitely tried
to emulate late 90´s, early 2000´s Jennifer Lopez. I wore fur coats,
Timberland heels and door-knocker earrings (even in the wood working
workshop in undergrad- FAIL). These days I am more relaxed and like
to mix it up, sweat shirts, skirts, baggy pants and high
heels. I generally think about colour and texture when putting
together an outfit or sometimes will base my outfit on that person or thing.
For example, I might be thinking a lot about 90´s Wu Tang and pull
my inspiration from Method Man or maybe I´ll think about
someone like Emmanuel Alt. Even though I don´t try to emulate her
style, just having her in my mind will give me motivation to step my game
up. I will say that I don´t have one definitive style, sometimes I
like bright obnoxious colours, while other days I like all black (“black
on black on black”! – KanyeWest)
In what way do you
think fashion connects with today's art and what is the future of this
relationship?
I know what I am about
to say is very obvious, but the Internet has made it so easy to image hunt
and this has allowed artists to voraciously search
for pictures all day. I know many artists who
look to garments and fashion advertisements for
inspiration. It´s a cyclical relationship between the two,
I see as many artists riffing off the retail
display strategies used in boutiques and high street shops as I do
fashion designers who use art installation inspired window displays. But I
guess ultimately I think the two meet together because of both discipline’s
need to express ideas through visual mediums. Maybe the future relationship of
art and fashion will mimic the absorption of digital technology into some
contemporary art practices. Rather than artists and
designers simply working collaboratively to make collections perhaps
some artists will choose to use actual garment making as integral parts of
their practice as a way to comment on social issues (a la Lucy Orta) or to
create non functional clothing (i.e. Franz Erhard Walther). I do
think that the line between fashion design and contemporary art for some
artists/designers can be blurred and straddle both practices.
Who are your favourite designers?
Rei Kawakubo, Miuccia Prada, Dries Van Noten, Raf Simons, Christopher Kane, in that order.
Where do you shop?
I shop everywhere. I grew up on thrift stores so I love the hunt and thoroughly enjoy rummaging the racks and piles of junk at TK Maxx just to find a bargain. Other than that, second hand stores and eBay is my go to if I have an inkling for something that I don´t quite know but feel like it exists somewhere, something ridiculous like a neon Coogi dress, 90´s Versace silk shirts and of course Jordans’. And If I want, and can, treat myself: Dover Street Market.
Five items you
can't live without?
Black eyeliner and
eyebrow powder (this is an actual must, I might actually die without my eyes
drawn on)
Stella McCartney long
baseball coat (I can wear pyjamas underneath and as soon as I throw
that coat on, no one is the wiser)
Margiela black
leather hightops (comfy aka lazy yet still stylish)
Red Louis Vuitton x
Yayoi Kusama Neverfull bag (gift from my husband a few years ago, #sentimental)
Margiela black shearling
neck warmer (it sounds very nerdy but it´s also been a life saver
in London)
I love black on black on black too!
ReplyDeleteMy Little 'Dream' Box REVIEW | April 2015 UK
Very gorge - really cool interview too
ReplyDelete